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Does death provide a welcome escape from earthly horrors, promising an afterlife of peaceful fulfilment? Or does it usher in another world of eternal pain and suffering? The part where Dylan, now with newborn child, gets back together with the Band briefly to reveal a side of him free of acerbic intent. Fatherhood, they say, can do that to a man. Carroll was a black servant who died after a drunken assault by her boss, William Zantzinger, whose subsequent six-month prison sentence became a scandal, if only in liberal circles he lived a long, affluent life.

Earle has written far more songs about the vagaries of the human condition than he ever has about politics, and this utterly convincing hymn to wretched solitude is one of the best.

Discordant Tones (War Songs Trilogy, #1)

A genuinely sombre, substantial sob song. G-funk dealt in pairing x-rated themes with universal tunes, and Regulate is the very embodiment of the Death Row records sound. The pair trade verses on a ditty that finds Warren G being mugged when Nate Dogg turns up and blows the thieves to bits.

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Nor did the hook, borrowed from Michael McDonald: rarely have so many sung along so absentmindedly to murder. The sharpest analysis of the psychological effects of a criminal lifestyle, created by an uncompromising Houston rap trio best known for their most high-profile member, Bushwick Bill, being a dwarf and having one eye shot out during a domestic.

Hawkins makes incomprehensible chatterings throughout, which, when set against the discordant keys and dizzying backing vocals, can make even the calmest soul question their sanity. Tales of vengeful, gun-toting lovers stalk American song, but Hendrix brought an unrepentant swagger to the role and a sonic guitar assault. In old-time ballads such as Little Sadie, the felon is usually brought to justice, but Joe seems destined to slip across the Mexico border and escape the hangman.

Good Life, which swiftly followed his very similar Big Fun, was hedonism squared, a celebratory house record paying tribute to celebration itself.

10 best music moments from Woody Allen films | Den of Geek

Even the most cursory inspection of the lyrics reveals The Number of the Beast to be a Hammer Horror storyline set to metal, nothing more. Not scary, just fun. Written by Jacques Brel in , and translated by Rod McKuen, this song was picked up by Jacks, Canadian leader of psychedelic band the Poppy Family, and offered to the Beach Boys before being released as a single. The bastardised, mawkish version of Brel became a monster hit, and the four-note guitar opening is an instant warning that it is probably hard to die when all the birds are singing in the sky.

One from the heart. Jamaica in the early 80s was an economic and political basketcase, but as the music tilted towards the more hedonistic strains of dancehall, some remained committed to cultural lyrics. One such was Anthony Johnson, whose classic Gun Shot was inspired by the police shooting of a Trenchtown man; not by the singular nature of the killing, but because it was an everyday event. The pared-back rhythm and muted horns made room for a pained vocal that owed much to Dennis Brown. GG Listen on Spotify.

A deliberately ambiguous song about loss, Someone Great maps the demise of a significant relationship, though it is unclear whether the termination is the result of death or simply an irreparable breakdown in communication. Alone Again Or makes being alone sound like joy itself — a rare moment of lightness on a dark and disturbing album. A triumph of light and shade, it showed there was more to Metallica than sheer speed and served as a blueprint for breakthrough single One four years later. Not one to play when the vicar pops round.

PMon Listen on Spotify. On the phone to mentor Puff Daddy, the Notorious BIG suddenly spins off into depression, regretting a life of pretty crime and treating his dear old mum like dirt. In , his successful case against Biz Markie over a sample from this song changed the law and the course of hip-hop. Ms Jackson was a song with an inbuilt soap opera.

Memory is unreliable, but it suggests this song was inescapable as turned into Either way, this was their first, and deserved, No 1. Of all the dinner party soundtracks of the 90s, Glory Box is, possibly, the most improbable. Discs disagreed. PM Listen on Spotify. Guitars twang in threatening agreement. This stomping version of his tale, driven by sax and doo-wop backing singers, topped the US charts but Price, after a campaign by the Legion of Decency, had to change the words when performing it on TV so that neither gambling nor killing took place.

Recorded shortly before his death, released just afterwards, its rumination on the tides of time made an exquisite, wistful epitaph to a talent that had yet to peak. A chilling work, words and music perfectly in tandem, the end result is truly haunting. He bids farewell to his girl Rosie, his home Corona, Queens and heads off. Gay sex, claimed Truman Capote. But who remembers that version?


This was a perfect match of singer to song: Sinatra shedding the ring-a-ding-ding to embrace gravitas as he looks back at a full life. It still sounds startling now — goodness knows how those hearing it in reacted. For those who have yet to discover him, this poignant warning against sinking into matrimonial tedium is a great introduction to the wonderful and unsettling talent of Maryland misanthropist Bill Callahan.

Adopted by John Kerry as his election anthem, the solo acoustic version featured on Live: cuts deepest.

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  • Its roots are centuries old, but the final version was written by Lloyd Chandler, a Baptist preacher from North Carolina, in In fact, just listening to it can make you nervous. Which probably makes it even more uneasy Wish Someone Would Care was the first song this phenomenal New Orleans soul singer ever wrote herself. Sung from the perspective of a man whose criminal past has proved fatal, this is a sanguine goodbye, intended for an old friend who had the sense to go straight.

    By this point his life was so steeped in violence that potential enemies were everywhere: there was no way out. Compassion, forgiveness, redemption, the power of platonic love — all are alluded to in that slightly vague way best suited to stadium rock. But this nails adolescence like acne. No musical dynasty has bared family squabbles with the candour of the Wainwright-McGarrigles.

    The irony, of course, is that gay icon Rufus turned out not to be a tit man at all. Here, on his debut album, Closing Time, he takes on the role of Tom Frost, weakening just enough to pick up the phone to call an old flame after many years. The music is prime-period Waterboys, all towering sax and searing fiddle, the big music thrillingly shackled to the folk train. A popular blues number, it became a signature tune for Mae West, who showcased it in her play Diamond Lil.

    Some things never change. Maybe you were the one. Walker would later move into even darker waters — which is saying something. Flea wrote this song about his old dog, Martian, who weighed pounds and died during the recording of Stadium Arcadium. Fuzz and muscle: a surprising combination that allows this lyrically spare B-side to roll back and forth like ocean waves.

    Less dramatic camaraderie, too. One upside is it let their freak flag fly.

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    The most dramatic moment of the song is the very beginning. Action movies can be introspective, too. The hook on this song always got stuck in my head. In which the Chili Peppers make Lennon sound like Hendrix. There are references to travel and allusions to war, and Kiedis seems to spend at least part of the song singing from the perspective of a soldier. Kiedis has English, Irish, French, and Dutch ancestry, but the part of his parentage that has most occupied him — at least in song — is the Mohican. Thankfully, they recorded this in middle age, pushing themselves musically and sludging up the joint.

    10 best music moments from Woody Allen films

    As a result, this sounds more appropriate for a Cuban beach, even one filled with political intrigue. Stanky bass and hand claps are a good place to start. But Kiedis is getting more vague as he ages, and that makes it harder to emotionally connect. Full disclosure: The order of this list is compiled after much voting, discussing, arguing, and last-minute tweaks. Not every frontman could pull off a chorus that essentially equates to a lesson on four vowels. Anthony Kiedis can. This is the one One Hot Minute song that the group kept playing live when Frusciante rejoined and later when Klinghoffer joined. The Chili Peppers have an underrated ability to create a musical atmosphere. The song that cements the Chili Peppers as purveyors of harmony and — gasp!

    Anyone need a band for their prom? Few jams surpass the minute mark and stay interesting, but this one does. A song that sounds exactly like its title. Ladies and gentlemen, Tony and the Peppermen. Sometimes, the Red Hot Chili Peppers would put childish nursery rhymes or inside jokes into their songs. This song is nothing but that, sitting on a curb.

    The band sounds alive here, energetic and with a sense of urgency that they rarely recaptured post Man, Kiedis really sings his heart out on this one. RHCP were never really the type to make a dirty blues-rock song, but this shows that the band especially Frusciante were more than up to the task.

    I barely remember this song being on BSSM. We give Kiedis a lot of crap for his lyrical style of throwing darts at a thesaurus, and rightfully so, but sometimes his weirdly verbose style really hits right, and this is one of those times. For their second single off Stadium Arcadium , the Peps speak to those people who migrate to Los Angeles to seek their fortune.

    Flea plays upright bass on this sly take of a doo-wop song. This throwback to their days as cocky hooligans is brought to you by the wah-pedal. Just AK on vocals and Flea on bass, that slap line is something to behold.